María Montessori (1870-1952): she was an educator who was not only the first Italian woman to obtain a doctorate in medicine, but also dedicated her knowledge and experience with children to create pedagogical materials completely adapted to them, from which her Montessori school emerged with a child-centered approach. Her work explores body art, endurance art and feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Marina Abramovic: she is a Serbian conceptual and performance artist, philanthropist, writer, and filmmaker. As a teacher and human being we are constantly learning, growing and expanding. I'd like to acknowledge today the women that recently have impacted my life journey. Women Yesterday was March 8th, Women's day. Or, you know, they could've addressed it instead of doing what they always do: take some pretty patterns, reference them, and call it a day.Īlso since I'm not indigenous, I would listen to indigenous peoples because it's not actually that hard. If they had no issue deleting all the criticism and bullshit about Lucio from the prologue (like him setting someone on fire on a tantrum) they could've realised they bit too much and redo Muriel's backstory. Well, NH is clearly incapable of doing that, and the game can still be campy and acknowledge what they themselves put into it. please know she's a genocide researcher and I'm butchering half the apostrophes in her surname by not writing them) about how she personally didn't think it was a problem for a Serbian actress to play a Bosnian woman during the war in Yugoslavia, because Bosniak women shouldn't be forced to relive that trauma so it's not like only Them can play themselves, but also because the film was done from a victim's perspective, it could help undo a lot of biases and educate from a human perspective. There's a Bosnian researcher I follow that spoke a while ago (I can't find the thread, she tweets a lot, but her name is Arnesa Buljusmic-Kustura. It's not giving learning to be better and unlearning harmful worldviews, it's giving Saviour vibes and I hate it. The narrative shouldn't absolve her, Muriel shouldn't absolve her, and she "dying" to protect Muriel and the Apprentice is not just poor taste, but racist. The one thing I would do, however, is remove Morga as Muriel's mentor entirely. Same racist outcome but I don't have to explain it to you, lmao, we both know this When it comes to these narratives (slavery, being severed from your own culture, diaspora, alienation, etc etc etc) people who don't experience them (any of them, together or not) can end up being racist by either trauma porn or bc they pretend they aren't there. So, because I don't know what story I would like to tell, I can't really answer you, except for stating the obvious, aka it's impossible to write a compelling narrative with these elements if you shy away from them. I say this not only because I don't like how they handled the last three routes (although Portia's the best, if you make me choose): with the first three there's a clear, coherent narrative that is addressed differently out of pov changes and character arcs. the second ones: they don't know what story they're telling any more. This is a huge problem with NH, especially with the first three routes to come out vs. Tbh I don't know, because to know I would have to analyse what story I want to tell instead which is different from "I could do better at handling his route", at least in my head.
How would you handle that for his route or how would you have changed that if you wanted to keep Morga as an important character for Muriel's route? #also the way they dealt with Morga being responsible for genocide to the Kokhuri was awful
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